Publications

Books

Clavichord Discography (Cambridge, 2009; Hebden Bridge, 2/2020)

Studying music without going to university: an alternative education (Hebden Bridge, 2022)

Modern Clavichord Music (Hebden Bridge, 2024)

Computational Analysis and Musical Style (Newcastle, 2024) [with Pablo Padilla]

The Music Manuscript Collection of Edward Paston (forthcoming 2025)

Playing the Clavichord (forthcoming 2025)

A Sightreading Method for Early Keyboard Players (forthcoming 2025)

A History of Classical Music rehearsal (forthcoming 2025) [with Pablo Padilla]

 

Editions

Brumel: Missa Et ecce terrae motus a12 (Marvig, 1990)

The Fitzwilliam Virginal Book (Tynset, 2020) [with Jon Baxendale]

Byrd: My Ladye Nevell’s Book (Tynset, 2021) [with Jon Baxendale]

Parthenia and Parthenia In-violata (Tynset, 2021) [with Jon Baxendale]

Complete Keyboard Duos by the Bach Family (Tynset, 2021)

Bach: The Art of Fugue (Tynset, 2022)

Bach: Eight Preludes & Fugues (Tynset, 2022)

Bach: Six Trio Sonatas (Tynset, 2023)

Will Forster's Virginal Book (Tynset, 2023) [with Jon Baxendale]

Bach: Arrangements for two keyboards (Tynset, 2024)

Music from Bach’s circle (Hebden Bridge, 2024)

Bach: 24 Preludes & Fugues: an appendic to the 'Well-tempered Clavier' (Tynset, 2024)

New Music for Clavichord (forthcoming 2024)

Bach: Orgelbüchlein (forthcoming 2025) 

 

Articles, essays and book chapters

‘Three Magdalen Organists: Paul Benecke’s Reminiscences of John Stainer, Walter Parratt and John Varley Roberts’, The Organ, lxvii/269 (July 1989), pp.137-145

‘Zechariah Buck of Norwich’, Musical Times, cxxxi/1764 (February 1990), pp.107-109

‘John Richardson’s Cathedral Tour of 1869’, The Organ, lxix/272 (Spring 1990), pp.8-12

‘A Restoration Version of Gibbons’ Short Service’, Organists’ Review, lxxvi/271 (June 1990), pp.97-100

‘The History of the Choral Foundation of St John’s College, Oxford’, Musical Times, cxxxi/1770 (August 1990), pp.444-447

‘A Clavichord Discography’, Music Review, li/3 (August 1990), pp.221-233

‘Johann Sebastian Bach und das Clavichord: Argumente für ein verkanntes Instrument’, Neue Zeitschrift für Musik (November 1990), pp.15-18

‘Magdalen College MS 347: An Index and Commentary’, Journal of the British Institute of Organ Studies, xiv (1990), pp.4-9

‘Repertorî Editi di Polifonia Latina a Stampata (1501-1620)’, Rivista Italiana di Musicologia, xxv: 2 (1990), pp.313-332

‘Some Observations on the Clavichord in France’, Galpin Society Journal, xliv (1991), pp.71-76

‘The Choral Foundation of Corpus Christi College, Oxford’, The Organ, lxx: 275 (Winter 1991), pp.10-14

‘Dunstable’, ‘Dowland’, ‘Tavener’, ‘Winchester Troper’, ‘Worcester Fragments’ and other entries in Marc Honegger (ed), Dictionnaire de l’art vocal, 3 vols (Paris, 1992)

‘The Clavichord: A Comprehensive Bibliography’, Galpin Society Journal, xlviii (1995), pp.52-67

‘Thomas Mulliner’s Oxford Career’, The Organ, lxxv: 297 (Summer 1996), pp.132-135

Elizabeth Alder et al., The Organs of West Sussex (Chichester, 2000)

‘Composing for the Clavichord’, in International Clavichord Directory (London, 2005), pp.9-10, also in Tangents xxv (Fall 2008)

‘The Keyboard Sonatas of Johan Helmich Roman’, Clavichord International, x/1 (May 2006), pp.24-26

‘New historic references to the clavichord in Durham’, British Clavichord Society Newsletter, xxxvi (October 2006), pp.6-9

Articles in Igor Kipnis (ed), The Routledge Encyclopedia of Keyboard Instruments, II: Harpsichord and Clavichord, (London, 2007)

‘The Clavier Music of Georg Böhm (1661-1733)’, Clavichord International, xi/1 (May 2007), pp.25-27

‘The historic chapel music manuscripts at Trinity’, Trinity College Annual Report (2007), pp.55-59

‘The Clavichord on CD’, in International Clavichord Directory (London, 2001), pp.7-20, revised edition (London, 2/2008), pp.11-31

‘A short guide to the Clavichord and its music’, in International Clavichord Directory (London, 2/2008), pp.9-10

‘Online music scores’, in International Clavichord Directory (London, 2/2008), pp.72-73

‘The clavichord in Tudor Cambridge’, British Clavichord Society Newsletter, xli (June 2008), pp.3-7

‘The Keyboard Music of Johann Jakob Froberger (1616-1667)’, Clavichord International, xii/2 (November 2008), pp.63-65

‘Music at Fitzwilliam’, in Cleaver, J. (ed), Fitzwilliam: the first 150 years of a Cambridge College (London, 2013), pp.141-144

‘Revisiting The Future of early music in Britain’, Early Music, xli/1 (February 2013), pp.11-15

‘On-line resources for the keyboard player’, British Clavichord Society Newsletter, lvi (June 2013), pp.34-36

‘The Cobham Hall Spinet Book’, Early Keyboard Journal, xxxi/xxxii (2014-15), pp.18-37

‘Lutes and Lutenists in Tudor Cambridge’, The Lute, lx (2015), pp.21-31

‘Virginalist ornamentation and interpretation’, Early Keyboard Journal, xxxiii (2016), pp.7-46

‘Identification and evolution of musical style I - Hierarchical transition networks and their modular structure’, in  Octavio A. Agustín-Aquino, Emilio Lluis-Puebla and Mariana Montiel (eds), Mathematics and Computation in Music (Heidelberg, 2017), pp.258-79 [with Pablo Padilla and Dan Tidhar]

‘Chambonnières versus Louis Couperin: attributing the F major Chaconne’, Harpsichord and Fortepiano, xxii/1 (November 2017), pp.28-32 [with Pablo Padilla and Dan Tidhar]

‘Putting Thomas Morley on stage’, National Early Music Association Newsletter, ii/2 (July 2018), pp.20-25

‘Learning the 48’, Harpsichord and Fortepiano, xxiii/1 (Autumn 2018), pp.21-31

‘The transmission of motet copies within the Paston manuscripts, c.1610’, Muzikologija, xxvii (2019), pp.137-161

The Piano in the 18th Century (Hebden Bridge, 2019) [edited collection]

‘Bach’s Inventions & Sinfonias and keyboard pedagogy’, Sounding Board, xiii (2019), pp.24-30

‘Observations on two 16th century music manuscripts belonging to Sir John Petre’, The Consort, lxxv (Summer 2019), pp.22-41

The Clavichord (Hebden Bridge, 2019) [edited collection]

‘Exploring Chopin on the clavichord’, Tangents, xlv (October 2019), pp.1-4

‘Guidelines for the systematic evaluation of early music theorists’, National Early Music Association Newsletter, iii/2 (Autumn 2019), pp.44-49

‘The Importance of Silence in Stylistic Classification in Music’, Computer Music Journal, xliii/2-3 (2020), pp.9-14 [with Mateo Tonatiuh Rodríguez, Pablo Padilla and Dan Tidhar]

‘Cadence patterns in Bach recitative: a guide for continuo players’, Sounding Board, xiv (2020), pp.24-33

‘The Paston manuscripts as sources of Byrd’s music’, Notes, lxxvii/1 (2020), pp.56-84

‘Bach’s pedal clavier: eight problem works’, Journal of the Royal College of Organists, xiv (2020-21), pp.26-34

‘Italian madrigals in the Paston collection, c.1575-1620’, National Early Music Association Newsletter, iv/1 (Spring 2020), pp.24-44

‘The Musician’s Bookshelf: J. S. Bach’, Harpsichord and Fortepiano, xxiv/2 (Spring 2020), p.32

‘Bach’s Art of Fugue as a keyboard work’, Dolmetsch Foundation Bulletin, New series No.38 (Autumn 2020), pp.8-12

‘Reconstructing Renaissance Polyphony: comparing original and replacement’, National Early Music Association Newsletter, iv/2 (Autumn 2020), pp.43-51 [with Mateo Tonatiuh Rodríguez and Pablo Padilla]

‘Revisiting the keyboard music of Giles Farnaby’, The Musical Times, clxii/1954 (Spring 2021), pp.29-36

‘Early keyboard duets’, Sounding Board, xvi (2021), pp.21-33

‘J. S. Bach’s keyboard works: from performance to research’, Muzikologija, xxxi (2021), pp.161-180

‘Modern music for the virginals’, Sounding Board, xvii (2021), pp.51-54

‘Charles Burney’s keyboard music’, Harpsichord and Fortepiano, xxv/2 (Spring 2021), pp.13-23

‘To tie or not to tie? Editing early keyboard music’, National Early Music Association Newsletter, v/1 (Spring 2021), pp.15-19

‘The Peter Hicks clavichord in the Victoria and Albert Museum’, Clavichord International, xxv/1 (May 2021), pp.7-11

‘Early music and the Novel’, Dolmetsch Foundation Bulletin, New Series No.40 (Autumn 2021), pp.9-11

‘Attributions in early music: a checklist for editors’, National Early Music Association Newsletter, v/2 (Autumn 2021), pp.56-67 [with Pablo Padilla]

‘O Splendor gloriae: Taverner or Tye?’, Early Music, xlix/4 (November 2021), pp.565-578 [with Pablo Padilla and Mateo Tonatiuh Rodríguez]

‘An Information-Theoretical Method for Comparing Completions of Contrapunctus XIV from Bach’s Art of Fugue’, Empirical Musicology Review, xvii/1 (2022), pp.2-10 [with Ivan Paz, Pablo Padilla and Dan Tidhar]

‘Network-theoretic analysis and the exploration of stylistic development in Haydn’s String Quartets’, Journal of Mathematics and Music, xvi/1 (2022), pp.18-28 [with Ben Grant, Pablo Padilla and Dan Tidhar]

‘An index of early keyboard makers’, National Early Music Association Newsletter, vi/1 (Spring 2022), pp.126-136

‘A bibliographic guide to women pioneers of the harpsichord’, Sounding Board, xviii (April 2022), pp.73-81

‘Thomas Wilson, Organista Petrensis’, Early Music Performer, l (April 2022), pp.16-29

‘Rhythm and form in music: a complex systems approach’, arXiv (July 2022) [with Blas Kolic, Mateo Rodriguez and Pablo Padilla]

‘Dr Bull and a motet in 80 parts’, The Consort, lxxviii (2022), pp.94-108 [with Pablo Padilla]

'Fugue subject mutation in Bach’s "Well-tempered Clavier"’, National Early Music Association Newsletter, vi/2 (Autumn 2022), pp.31-37

Harpsichord & Fortepiano, Complete Index 1973-2023 (Hebden Bridge, 2023)

'Bach’s Orgelbüchlein as an instrumental tutor', National Early Music Association Newsletter, vii/1 (Spring 2023), pp.21-34

‘Analysis, attribution and the Beatles’, The Journal of Beatles Studies, ii (2023), pp.91-107 [with Matthew Jones, Pablo Padilla and Mateo Rodriguez]

'A Register of British Keyboard Makers, Composers, Players and Owners, c.660-1630’, National Early Music Association Newsletter, vii/2 (2023), pp.25-108

’50 years of Harpsichord and Fortepiano’, Harpsichord & Fortepiano, xxvii/1 (Autumn 2023), pp.4-7

‘Historically Informed Fictions’, Dolmetsch Foundation Bulletin, New Series No.44 (Autumn 2023), pp.8-9

‘Musical Instruments in the London Customs Accounts, 1380-1537’, Bulletin of the Fellowship of Makers and Researchers of Historical Instruments, clxiii (November 2023), pp.27-46

National Early Music Association, Complete Publications Index 1991-2023 (London, 2024)

‘Chronology, Style and Attribution in the Early Keyboard Suites of J. S. Bach’, in Andrew Woolley (ed), Studies on Authorship in Historical Keyboard Music (Abingdon, 2024), pp.106-122 [with Pablo Padilla and Mateo Rodriguez]

‘The evolution of modern clavichord music’, in Rebecca Cypess, Esteli Gomez and Rachel Lansang (eds), Historical Performance and New Music: Aesthetics and Practices (Abingdon, 2024), pp.106-117

‘The historical rehearsal of early music’, National Early Music Association Newsletter, viii/1 (Spring 2024), pp.25-127 [with Pablo Padilla]

‘J. S. Bach as recitalist’, Sounding Board, xxi (2024), pp.3-10

‘Another modern work for virginals: Horace Randerson’s Laura’s Fancy’, Sounding Board, xxi (2024), pp.33-36

'A network perspective on J.S Bach’s 6 violin sonatas and partitas, BWV 1001-1006', Physica A (2024) [with DIma Mrad, Sara Najem and Pablo Padilla]

‘Issues in the Historical Rehearsal and Performance of Early Tudor Polyphony’, National Early Music Association Newsletter, viii/2 (Autumn 2024) [with Pablo Padilla]

‘Bach’s manuscript layout of the Well-Tempered Clavier, Book 1’ (forthcoming 2025)

‘Thematic alteration in Bach’s organ pedal parts’ (forthcoming 2025)

‘Albrechtsberger’s Fugal Technique’ (forthcoming 2025)